Motherhood

Letter from the editor: What ayahuasca taught me about motherhood

Lately, I have been watching to see how the US administration's xenophobic dogwhistle about “civilizational erasure” in Europe might start to inform policy proposals across the continent. In some ways, it already has: the violence of ICE raids (and its appeal to politicians like Britain’s Nigel Farage) is motivated by a fear that black and brown people will come to outnumber whites. When the womb is a site of immigration policy, who gets to mother becomes a matter of national security.

by Eliza Anyangwe
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Can Sierra Leone keep its mothers alive?

Can Sierra Leone keep its mothers alive?
Visuals by Nathalie Basoski / Commissioned by Lara Antal

It’s been a year since Trump’s aid cuts sent shock waves around the world. But in one maternity hospital in Freetown it’s the loss of UK funding that threatens to unravel years of steady progress to address maternal mortality

by Ester Pinheiro
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Miscarriages aren't always a tragedy

Miscarriages aren't always a tragedy

The creators of the The Feminist Miscarriage Project on why we should complicate our understanding of how people react to pregnancy endings.

by Susie Kilshaw, Victoria Browne
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EDITION EXTRAS

For our Motherhood edition, which explores both the personal and political sides of the experience, visuals editor Lara Antal knew that they didn't want to only picture mothers and babies. But how did she land on blankets as the thing that tied it all together? Read on to discover more on their artistic process.

How did you approach developing the visual identity for this edition?

Lara Antal: The concept of motherhood is as expansive as the world itself, and so the visual theme had to be just as versatile; ubiquitous, widely cultural, and deeply personal, all at the same time. The answer was the blanket. Designed through quilted, patchwork, dyed, and countless other techniques, they are a visually rich and diverse object. The act of blanket-making, and the blankets themselves, have often been passed down through generations of women. These creations are affirmations of a way of life; cultural traditions, made visible through unique patterns and processes.

Using them in ‘high-design’ is a feminist reclamation of a world that dismissed these art forms as merely ‘women’s craft’ (see Judy Chicago’s The Dinner Party). But at their most essential level, blankets are symbolic of caretaking. Say the word, and it brings to mind images of mothers swaddling babies. Blankets can protect, shelter, and provide warmth. But they can also smother or wrap too tightly. Blankets can, over time, be lovingly used and worn. Or, under harsher and unkind conditions, be torn and unraveled. A blanket holds within it the history of countless communities and people.

The work in progress for Fuller's piece on motherhood and time. Image credit: Lara Antal

As you worked, what did you learn, related to the theme of the edition, that most surprised you?

I was delighted to find that the visual theme was flexible enough to incorporate multiple artists' approaches. For my contributions, I was able to work in different styles, using collage for the key image and traditional illustration for an op ed piece.

When I reached out to our guest artist, Nathalie Basoski, I had an idea of how she might translate the theme. Again, I was happily surprised by the result. To use a simile: a successful art director-artist relationship is like sourcing well-known ingredients for a chef, and they find a way to create a dish full of novel, unexpected flavors. Basoski’s collage blurred the boundaries of 2D and 3D. Crafted through a process that stitched fabrics, photos, string, and even currency together, each iteration and edit brought something new to the surface. Her final photographic piece blended layers of meaning seamlessly into one image.

The work in progress for Fuller's piece on aid cuts in Sierra Leone. Image credit: Nathalie Basoski, commissioned by Lara Antal

Were there any concepts you loved but had to leave on the cutting room floor?

The great thing about the theme is that there were infinite ways to express it. So, rather than feel like things were cut, I lamented not being able to explore every idea. I wanted to incorporate blanket schematics and design patterns more, or try to visualize data in woven styles. But there is only so much time in the day!

Lead visuals by Lara Antal. Edited by Charlie Brinkhurst-Cuff and Eliza Anyangwe

Lead visuals by Lara Antal. Edited by Charlie Brinkhurst-Cuff and Eliza Anyangwe

Compiled by Imriel Morgan

Compiled by Imriel Morgan

Books

A Woman's Work: Reclaiming the Radical History of Mothering, by Elinor Cleghorn

Ejaculate Responsibly, by Gabrielle Blair 

Je suis un monstre qui vous parle, by Paul B. Preciado

Life, Almost, by Jennie Agg

Mamá desobediente, una mirada feminista a la maternidad, by Esther Vivas

Matrescence: On Pregnancy, Childbirth, and Motherhood, by Lucy Jones

Mother Mary Comes to Me, by Arundhati Roy

Mothering Myths, An ABC of Art, Birth and Care, by Laurie Cluitmans and Heske ten Cate

Pma. Petit guide à destination des couples de femmes, by Léa Cayrol 

Raving, by McKenzie Wark

This Must Be the Place, by Maggie O’Farrell 

Trans: A Memoir, by Juliet Jacques 

Women, Race & Class, by Angela Davis

Art

Ophelia’s Got Talent | Florentina Holzinger 

Once there was a mother | Louise Bourgeois  

Motherhood in art  | Grace Daniels

The mental load comic | Emma

Watch

Adam’s Apple, directed by Amy Jenkins

Deaf, directed and written by Eva Libertad 

Get Smarter in Seconds about birth workers, by Blair Imani

Montages of a Modern Motherhood, directed by Oliver Siu Kuen Chan

Parallel Mothers, written and directed by Pedro Almodóvar

Revolutionary Mothering with Alexis Pauline Gumbs, from the Laura Flanders Show

Sauna, directed by Mathias Broe

Tangerine, directed by Sean Baker

The Lost Daughter, directed by Maggie Gyllenhaal

Wombs in labor and the Paradox of Cross Border Commercial Surrogacy, lecture by Amrita Pande

Listen

Attendre d’attendre un enfant, a podcast by Sophie Riche 

Motherhood, mothering and feminisms, a podcast by Feminismos del Sur

Oh mother, a song by Christina Aguilera

Les gens qui n'ont pas d'enfants, a song by GieDré 

playing songs at my grandma's house in Suriname, mix by Club Carter Radio

The Mix 043 (Motherbeat), mix by Eris Drew and Octo Octa

The Retrievals, a podcast from Serial Productions and The New York Times

Unwell women - with author Dr Elinor Celghorn, a podcast by Breaking Down Patriarchy

Read

As US birth rates fall, one thing does work to boost population. Trouble is, politicians don't like it, from Fuller

Dans l'œil de Libé - en images - congélation d’ovocytes, le parcours des combattantes, from Libération

Dream of parenthood, false surrogacy, and a scam: Hyderabad doctor accused of running child trafficking network, from The South First

How IVF has led to a record number of single moms in their 40s, from NPR

Kenyan single mothers ‘trapped’ in Saudi Arabia as exit visas denied to children born outside marriage, from The Guardian

Mayor and Mother: The Young Women Changing France's Local Councils, from Le Monde English

Motherhood in the media, from @molsbymoonlight

No money, no care: obstetric violence in Sierra Leone, from Human Rights Watch

Number of single UK women having fertility treatment trebles, report says, from The Guardian

Origins of ‘social contagion’ and ‘rapid onset gender dysphoria’: Julia Serano’s timeline, by Julia Serano

Pregnancy and motherhood in prison through a reproductive justice lens, from Human Rights Research Center

Republicans want more pregnant women in prisons. A new book describes what it’s like, from Mother Jones

Tens of thousands of mothers were flagged to police over flawed drug tests at childbirth, from The Marshall Project

The far-right co-option of the transgender rights issue, from the Byline Times

The transgender map, by Andrea James

Trump unveils IVF policies, but no new funding or coverage requirements, from Politico

What makes a good mother?, from The New Yorker

When fertility treatments fail, ‘society has no words, only silence’, from Le Monde

Who my child was and would be, from The New Yorker

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